Un Soupçon d’Amour

In this film there’s theatre, puns and wordplays, Roland Vincent’s music, songs, disguises and melodrama à la Douglas Sirk. The story follows Geneviève Garland, an actress who decides to reject the leading role of a theatre play, abandon her husband and dedicate her time exclusively to her child in the attempt of fleeing the harsh difficulties of life. In Un Soupçon d’Amour, Paul Vecchiali brings to the screen a piece revealing many of his stylistic obsessions collected over the years of his cinematographic journey, a fruitful expedition embarked on in the 1960’s.